In the late '60s and early 70', I was an assistant to a sculptor names Dominick Laruccia, Jr. I will post more on this person later as it is a fascinating story of a complex man. In a recent web search, I found a dealer in London that was selling one of Dominick's art pieces. After some back and forth, I struck a deal and purchased the piece.
I am looking to find other pieces to collect. His medium was mostly copper but he also worked in acrylics, cast stone, gold, semi precious stones, marble and rare woods. Please email me if you know of one of his pieces.
Sculpted Tree Circa 1967
In the late 1960s and early 1970s Dominick made sculpted copper and glass trees. They were sold mostly at Gump's in San Francisco. All the sculpted trees were crafted with the branches arraigned in a symmetric design. The little cups in later works are painted with acrylics on a gesso base.
The base was formed from copper shot and the basic structure is from copper cable. The cups were formed from copper slugs that were domed in a metal form. The metal used to hold the piece together as well as form the roots is a silver alloy. The roots were free formed in place using the melted alloy. It was pulled while molten into the root forms.
While most of these pieces were sold at Gump's, he did have a gallery association in Palm Springs back in the late 60's and early 70's as well as selling with Neiman Marcus and the American House in NY. I would estimated that as much as 200 sculpted trees were produced in a variety of designs from very small to a series of windswept versions about 10" in height. I have recently been contacted by a gallery that has a majestic piece that is nearly two fet in height.
The variety of his work goes well beyond the trees though. He was an organic chemist as well as a talented flutist (Carnegie Hall soloist at 19, Mozart Concerto in D). He forsook a career as a chemist with the Borax Lab in Anaheim to go into the art business. He found his medium when a man named Bob French introduced him to oxyacetylene sculpting.
Copper was his main medium and he interwove that with gold wire, marble, semi precious stones, rare woods and his own exotic materials. He dealt mostly in abstract forms but also used organic forms in some of his pieces. The vases he made are arguable his best pieces and represent great mastery of the materials. His mastery of abstract design and use of color marked his paintings and graphic designs.
Dominick may or may not still be alive. He would be about 81 but long suffered from allergies and fought mental disease all his life. Depression haunted him and once, about 1990, he attempted suicide that left him with a limp from nerve damage. I attempted to see him about 3 years ago and went to his apartment in Queens. He had left that place about a month before and I was told he went to live with a brother. As he had no brother, the person must have meant brother in law as he has a sister. He must still have relatives in the Long Island area. His mother and father were immigrants from Luccia, I believe. His father was a private tailor at Saks 5th Ave. when it was truly an exclusive store. Craftsmanship ran in the family. I wore some of those suites and they were incredible.
Please call or email if you have any of his works and are considering selling or want more information.
Laruccia Sculpted Tree Circa 1965, Root Details, 8 inches tall
The internet is magic. It brings desperate worlds together and connects in unexpected ways. A few years back, I would have never dreamed of finding sculptures from my old mentor, Dominick Laruccia, Jr. Now, I discover or am contacted about pieces that folks have owned or acquired in estate sales.
I have been able to add to my collection, mostly of sculpted trees. I have estimated that there are over 400 of the genera that were made. Styles vary widely from the simple upright, no roots version to one that was 24 inches tall with some 75 glass fruit. For the most part, they have stood up well. Dominick use to say that his pieces would last hundreds of years. Certainly the copper structure will, but the glass fruit eventually drop off when the epoxy fails. I have repaired a few already. Most often, branches become mangled and need reshaping. Laruccia always gave them a formal shaping in character with the overall design. In some cases the glass fruit was glued to each other to retain the shape.
On rare occasions I have found other sculptural styles such as a vase, wire wound pieces, geometric abstracts. THe trees, however, were the most prolific pieces and were the bread and butter off the welding bench. Please contact me if you have a Laruccia sculpture, even if only to share. I am writing a biographical piece and would love to reference his other works.
I was recently contacted by a dealer in South Carolina about a sculpture the purchased from an estate sale. I purchased the piece sight unseen. Typically the Laruccia trees I have purchased have the branch work mangles from handling and the occasional broken root tip or missing glass fruit. THis piece was no exception. It will be easily repaired and restored to its original glory. The colors and somewhat faded but still show the little surprise burst of color at the right angle. THe form is different in that the trunk is stocky with a heavy gauge wire and one inch glass fruit on 18 "stems."
I am delighted to add it to my collection. I am continually delighted by the variety of forms the Dominick Laruccia created in the style of sculpture he invented. Please get in touch if you know of a Laruccia work, even if it is to share a photo. Laruccia created many other sculptures and typically signed his work.